1943 Independence Hall Philadelphia PA Postcard Chromolithograph Central News

This charming chromolithograph postcard offers a picturesque glimpse of Independence Hall, Philadelphia, bathed in the warm hues of autumn, circa 1943. The front depicts the iconic reddish-brown brick structure, its white trim and steeple standing out against a serene pale blue sky. Surrounding the Hall, the park-like setting comes alive with trees displaying a vibrant palette of greens, yellows, and reddish-oranges. Details such as walkways, a welcoming park bench, a period lamppost, and glimpses of other buildings add depth to the scene. "INDEPENDENCE HALL. PHILADELPHIA, PA. PH-40" is neatly printed along the bottom, with "PH-40" possibly indicating a series or catalog designation. Turning the postcard over reveals a cream-colored back, divided into the standard address and message sections common to the era. "PUB. BY THE CENTRAL NEWS COMPANY, PHILADELPHIA, PA." and "POST CARD" are printed at the top left. A box designated "ONE CENT STAMP HERE" resides in the lower right corner, a testament to the postage rates of the time. Intriguing handwritten and printed markings offer glimpses into the postcard's journey. "1-3-43," penned in the address section, likely signifies the date it was written or mailed – January 3rd, 1943. Further markings include "481," perhaps another catalog number, and partially obscured text hinting at a Cambridge, Massachusetts, publication origin – perhaps a printing location rather than the publisher itself. These details, combined with the Central News Company imprint, suggest a complex production process common for postcards of this period. The back also features a detailed, albeit slightly romanticized, account of Independence Hall's history. While showing gentle signs of age, such as slightly darkened edges and minor discoloration, the postcard remains remarkably well-preserved, free of major tears or creases. Its overall style, from the distinctive chromolithographic printing to the postcard's construction, firmly places it within the first half of the 20th century.